Lookee here

Still thinking about how to use the variegated lace yarn, I have been cheered by Ginny, who left a comment about this very thing. She called my attention to "Tricotomania", and the interesting discussion of knitting lace with variegated yarn to be found therein. This knitter is using some variegated yarn to knit the "Concert in the Park" shawl (available from Blackberry Ridge). She has some pictures of the beginning of the shawl and others of the finished article. As Ginny says this yarn appears to work very well with this pattern. None of the things I've tried with this yarn has been a square shawl from the centre out, so this may be something to bear in mind for the future.

However, I do not know how much time there will be for messing about with lace and variegated yarn in the near future, for yesterday this arrived:



"This" is yummy yarn - 20% Cashmere; 40% Angora; 40% Lambswool - you can imagine how that feels - from Shilasdair. It came to me via London, to be made into a cardigan with vertical stripes, at the request of a non-knitting lady, who had my telephone number from the woman at Burford Needlecraft.

There is a pattern with a "sketch" to show the finished article and very sketchy it is, too. The pattern is not on Shilasdair's web site so I cannot show you what I am aiming at (even if I knew myself).

The decision on the border of the Romance Shawl has been taken. At the suggestion of Jane in my LYS I plumped for Appleton's Crewel Wool in a sort of raspberry shade for the dark border and I am going to leave the body of the shawl in the original white. I took several photographs of the shawl but the colour bore no relation to the reality in any of them, so I thought it was pointless to post them. I searched high and low to find a representation of the colour (946, if anyone is remotely interested) but failed. Can't say I'm really surprised given my difficulty in getting a decent representation of the colour. I'll try to get some more pictures later.

If you wish to see one of our raw materials in the flesh (so to speak), do not miss the new BBC cartoon "Shaun the Sheep" - he is hilarious.

Saturday again

Slowly on the mend. Still not back at work, though. The quack told me to stay at home and rest for "at least a month" because "you have been quite ill, you know." Thus, I have plenty of time to knit.

The scrawl is done:



All the details are in the Finished Objects blog (link in the sidebar).

Great fun to wear, simplicity itself to knit. Good fun all round really.

Ene's scarf has been photographed on the bod by #1 daughter, again all the info on the FO blog.



Casting around for something else to do, I took up the lace weight Artisan Merino and started the Shetland Triangle from "Scarf Style":



It looks like nothing on this earth. I really want to use this yarn. I can't see how one could knit anything but lace with it but all the patterns I have tried do it no favours whatsoever. I bought four skeins of it to make the Mystery Shawl. I used only a very small amount and now find myself with two and a bit skeins clouting round the house, staring at me from the knitting basket hanging thingie (technical term) and whispering "Knit me, knit me." My only trouble is what to knit with it. Any and all suggestions gratefully received. There has been quite a bit of discussion on one or other of the lace lists I belong to (and I belong to so many I can't pin down exactly which one) about the use of variegated yarn for lace. The general consensus seems to be you either like it, or you don't. I'm starting to think I am in the second camp and I really wish I wasn't.

It doesn't look any better in a close-up:



I've ripped it out.

Work continues on the Romance Shawl. I'm almost to the point where I have to decide what to do about the double border. Do I use some yarn from the Stash (possibly the blasted variegated stuff above); do I dye some of the same yarn I'm using for the body of the shawl and leave the body white; do I dye the body one colour and the same yarn for the border another colour; do I leave the whole lot in the knitting basket and think about something else? It's all such hard work.

In order to put off the moment of truth I've taken the coward's way out and started another shawl. (Someone in the comments once accused me of being "shawl obsessed" - at the time I denied it vehemently, now, I'm not so sure.) This is to be a shawl of my own devising. A square shawl knitted in the round from the centre out and incorporating stitch patterns based on Sea and Shore. I think it's going to be called "She Sells Sea Shells" or "4S" for short. I'm busy trying to learn how to use Excel to chart lace and have joined (yet another) group to help with this. It is slow work but progress is being made. There are no pictures yet because I want to unveil the whole thing with a flourish at the end. Watch this space.

Saturday back field:



is a bit of a cheat this week. I took a picture but you really couldn't see the river (Stour, in case anyone has a burning desire to know) and how it was just about to take over the whole field. I sent #1 daughter out with the camera to get this shot from just up the road. You get the idea.

Kat was asking what blocking was. I could go on at great length but other people have done that far better than I ever could. I refer you to the Knitting Beyond the Hebrides Lace Symposium. Specifically the section on blocking. She speaks of using a cotton thread through the points - I use fishing line. (You can imagine the chap's face in the fishing tackle shop as I tried to explain what I wanted to do with said fishing line.) She also talks about how nice it would be to have a sheet marked off in squares to aid with the blocking. Though she has never managed to find one - I have. It's an Indian cotton bedspread that 'im indoors brought back from India with his own hands. Long before he met me (and I've known him over twenty years). He must have had a premonition about a knitter in his future. It works a treat.

Radical Lace Knitting?

An exhibition at the Museum of Art and Design in New York has come to my attention. How I wish I lived in New York. (Well, of course I don't, but I wouldn't mind having a look at this Radical and Subversive Lace Knitting stuff.) I had a look at the Teachers' Pack, too - partly because I'm a teacher, partly because I find you often get more information if you pretend you are a student. I think the "History of Knitting" section is very good and the ideas for activities to further enhance the museum experience are probably worth doing myself at home. Freddie Robbins, of course, is the one who designed those weird gloves with hands on the ends of the fingers and who had the knitted wedding, I believe. There's a free pattern for another pair of weird gloves here. (The story of Struwwelpeter always gives me the creeps.)

I finished Ene's scarf and blocked her and now she is done, done, done:



Seen there reclining on a bush in the garden, and here lazing around on a chair in the kitchen:



The second picture here gives a more true impression of the colour. She is more of a shawl than a scarf. Pretty all the same.

I think she might end up being a present for my MIL - somehow I seemed to miss her birthday what with the hospital saga. Now she's gone off to Italy for a few weeks, so I'm wondering about sending the scarf/shawl out there, or just waiting until she gets back.

The answer to what the heck I'm knitting with the Gedifra sock yarn is the "Scrawl" that I mentioned before. It really is totally mindless knitting (not radical at all) and perfect for sitting in front of the TV and watching David Suchet inhabit the role of Hercule Poirot, which is what I've been doing for a large part of today.





I like the way that the shaping for this garment is done by changing needle sizes (although the largest size, 6.5mm, is just about my limit for comfort.)

Heather asked where the yarn came from. This is Gedifra Fashion Trend Sportivo and I bought it from Webs, where it was in the sale. I was quite impressed with the service I had. I sometimes think that smaller retailers work harder to please the customer. I have ordered yarn from small outfits in the US and had the goodies in my paws in four days. Webs took a little longer, but not an inordinate amount of time. They also charged only the actual cost of postage plus $2, which I really don't think is bad at all.

Kat asks if the scarf I made (and I think she's talking about the Silk Garden one) was easy to knit. Always a difficult question - what I find easy might be the most difficult thing you have ever done (and vice versa, of course.) I don't think it was hard at all. There are only two rows in the pattern and you just keep repeating and repeating and repeating until you get bored/run out of yarn/find the thing to be long enough (whichever comes first.) I think I cast on 30 stitches and used 3 balls of Noro Silk Garden, because that's what I had at hand. Cast on more stitches and have a wider scarf, use the same amount of yarn and it'll be shorter, use more yarn, it'll be longer. It's your knitting, you decide. I did, however, find this site, with a stitch by stitch explanation of how to execute this pattern. I urge you to have a go.

And MaryAnnLucy has me intrigued - she obviously lives within a stone's throw of myself. How did you get that picture of Shakespeare's birthplace with nobody else in shot? Whenever I pass by there the place is over-run with tourists of all complexions. Maybe you were there at the crack of dawn??

I leave you with a picture of the Saturday field, looking grey and miserable and nothing like as romantic as it was in the snow:

Home Sweet Home

I'm home. Didn't know I'd been away? I didn't know I was going.

I was dashed into hospital (again) last week with a recurrence of the old asthma. We are still not sure what caused this particular flare-up but a combination of factors seems to be to blame. (Infection, cat (see below) and weather.)

I'm home again now, still feeling a little wobbly (and absolutely exhausted - it seems to me that you need to be at the peak of physical fitness to withstand a stay in hospital) but substantially on the mend.

One casualty (apart from me) has been Beelzebub - she really wasn't helping, what with my allergy and all. She has been "re-homed" by the very nice people at the Mid-Warwickshire Branch of the Cats' Protection League and I wish her every happiness. It feels quite strange not to receive my morning mouse.

'Im indoors was, of course, required to bring the necessities of life to me in my hospital bed. I had actually had the presence of mind to snatch up a pair of socks-in-progress as I was carted away but (wo)man cannot live by socks alone. Although I asked him to bring the Romance Shawl he managed to bring me "Fulmar". In a way this was just as well, for if I don't get a move on with it, it really is going to turn into the ten year sweater (beating the five year sweater into a cocked hat). I certainly caused a stir, sitting in bed with my knitting while wearing the "gas mask".

Once home, I felt like knitting something that would be quick and give me a sense of achievement. I've had my eye on "Ene's Scarf", Nancy Bush's pattern in "Scarf Style" for quite a while. When my eye fell on a cone of unknown yarn I knew it was time to start. The only thing I know about this yarn is that it says "386 Orchid Lot 24112" inside. I can't even remember where I bought it (or why!). I didn't bother with a swatch. (Really, Kate?) I set off with 4mm needles and hoped for the best. I think it turned out rather well.

Here she is in her unblocked state:



and here's the border:



She's soaking in hair conditioner at the moment, prior to blocking. Glamour shots later.

What's this going to be?



Yummy colours. Though I was a little concerned when I saw this:




Looks like two totally different dye lots (or even colours!). A check on the ball band revealed that I was mistaken - this is the same shade and the same dye lot.

I am not allowing myself to worry about this at the moment. We shall see.

Here's the beginning:



Answers on a postcard.

Because you missed the back field in the snow (so did I, if it's any consolation), I give you the garden in the snow:



I know it's not the back field and it's not Saturday, so bite me.